The Neoplatonists have been criticized for giving forced interpretations of Plato. Can this verdict justify modern commentators’ not paying attention to the Neoplatonic views on central Platonic problems, such as the accusation of ‘moral egoism’? The issue of Platonic eros, a proposal for a modus vivendi, serves as a significant test-case in order to answer this challenge. My approach is based on Proclus’ Commentary on the First Alcibiades. The Platonic successor approaches Socrates’ relation to Alcibiades as mirroring the structure of (...) the divine realm. From this point of view, which platonically merges ethics with metaphysics, Proclus repeatedly states that it is an essential feature of the divine lover, who patterns himself upon the god Eros, to elevate along with himself his beloved towards the intelligible Beauty. This seems to go against the Symposium, which might suggest that the lover needs his beloved, because the latter constitutes the means for the former to recollect the source of real beauty. In contrast, for Proclus the ideal loving relationship is parallel to the demiurge’s providential relation to the Receptacle, and that of the philosopher-king to his city. Hence, Proclus presents us the quintessence of the erotic way of life and responds to Plato’s critics. (shrink)

This article deals with the complex relation between providence and descent in Neoplatonism, with particular reference to Proclus and especially his Commentary on the First Alcibiades. At least according to this work, descent is only a species of providence, because there can be providence without any descent. Whereas the gods provide for our cosmos without descending to it, a large group of souls provide for our cosmos by descending to it. The former kind of providence is better than the latter, (...) even if it is necessary that souls descend in order to give existence to the beautiful cosmos. The following study deals with providence as descent, looking at it from two angles. In the first section I show that Proclus designates this form of providence in two rather surprising ways. One term he uses for it, which will be well known to readers of Plotinus, is τόλµα —this despite the word’s negative connotations due to its Neopythagorean and Gnostic origin. A second name for descended providence is ἐπιστροφή. Again, this may be surprising, since we usually expect this term to express the ‘turning back’ of a lower effect to its cause. In Proclus, the word ἐπιστροφή too can have negative connotations, but he also uses it in a positive way when applying it to providence. In the second part of the paper, I explain how Socrates’ providence for Alcibiades can be undefiled, even if Socrates necessarily descends as he offers providential guidance. Proclus’ comparison of Socrates with Hercules, who went to the Underworld in order to save Theseus, serves as a positive illustration of Socrates’ divinelike providence, and marks the deficiency of Socrates compared to the transcendent and undefiled providence of Neoplatonic divinities. (shrink)

Speaking to vital scholarship in ancient philosophy, including contemporary Greek academia, Dimitrios A. Vasilakis examines the notion of Love (Eros) in the key texts of Neoplatonic philosophers; Plotinus, Proclus, and the Church Father, Dionysius the Areopagite. The book outlines the crucial interplay between Plotinus, Proclus, and Dionysius' ideas on love and hierarchy in relation to both the earthly and the divine. Through analysing key texts from each philosopher, this enlightening study traces a clear historical line between pagan Neoplatonism and (...) early Christian philosophy. (shrink)

In this paper, I try to exploit some lessons drawn from reading Plato in order to comment on the methodological ‘meta-level’ regarding the relation between philosophizing and writing. After all, it is due to the medium of written word that we come to know past philosophers. I do this on the occasion of the ostensible conclusion in Plato’s Meno. This example illuminates the ‘double-dialogue’ hermeneutics of Plato and helps to differentiate Plato’s dialogues from dialogical works written by other philosophers, such (...) as Berkeley. As a result, it becomes clear that, like with Plato’s case, a historian of philosophy must not only have a philosophical training, but also a subtle philological background, when attempting to come into dialogue with dead philosophers. (shrink)

Dans le terrain sis au 135 rue Kanakari à Patras a été mise au jour une parcelle de la nécropole romaine du Nord‑Est, qui est organisée conformément aux normes des nécropoles de l’Italie et de ses colonies. Au total, onze tombes à ciste et un tombeau couvert d’une toiture en tuiles, dans un enclos, ont été dégagés. Ils ont été utilisés sans interruption du iiie s. au viie s. apr. J.‑C. À l’époque byzantine, la présence d’installations artisanales est attestée sur (...) une partie du terrain. Des 157 monnaies de bronze récupérées, nous présentons ici dix‑sept monnaies du Bas‑Empire et cinq monnaies byzantines, de la fin du iiie s. au début du viie s. apr. J.‑C., qui apportent une preuve supplémentaire de l’utilisation de la nécropole romaine du Nord‑Est de Patras à cette période. (shrink)

In this paper I examine how Brailas conceives of Modern-Greek identity. After an introduction, I look at Brailian texts where it is emphasized that Hellenism and Christianity are the two components of Greek national identity. Does this mean, though, that for Brailas these two elements express a similar mode of being? There are passages that can support this claim. Still, Brailas’ reader should not suppose that the Corfiote philosopher uncritically assumes a linear transition from Hellenism to Christianity. But if Christianity (...) denotes the emergence of something new in history, how can it be compatible with Hellenism? Brailas’ answer is that as with the Mosaic Law, Christianity did not come to abolish Hellenism, but to fulfill it. Furthermore, the association of Christianity with Hellenism enabled the latter to survive throughout history both in the West and the East. Besides, for Brailas variety has always constituted the “harmony of Hellenism”. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Why Some Pornography May Be ArtMimi VasilakiIn "Why Pornography Can't Be Art,"1 Christy Mag Uidhir argues, as the title declares, that pornography cannot be art and thus that pornography is not art. According to Uidhir, this is because of the different ways in which pornography and art relate to contents and purposes. His argument for the impossibility of something being both art and pornography at the same time runs (...) roughly as follows. If something is pornography, then it has the purpose of sexually arousing (some audience) and that purpose is manner-inspecific. If something is art, then if it has a purpose, then that purpose is manner-specific. So when the purpose is sexual arousal, then it is manner-specific. Thus sexual arousal by art is manner-specific and sexual arousal by pornography is manner-inspecific. Therefore, Uidhir concludes, something cannot be both art and pornography.Here I argue that although this conclusion seems plausible, Uidhir fails to make a strong case for it because he does not establish that the purposes of art are necessarily "manner-specific" as opposed to the purpose of pornography, which is necessarily "manner-inspecific." That is, the paper does not make it plausible either that pornography has manner-inspecific purposes or that art has a manner-specific purpose.IUidhir's exclusivity doctrine is intrinsically implausible. Let us take for example a work mentioned in the article, Red Butt from Jeff Koons's [End Page 228] kitsch photo series of "Made in Heaven." Uidhir writes, "part and parcel of understanding Red Butt is recognizing that it depicts a sexual act involving Jeff Koons and Cicciolina.... Failure to do so precludes satisfaction of the purpose of the work" (p. 198). Here he rightly says that the audience cannot interpret the work without the prior knowledge of who is depicted in Red Butt: the audience must recognize the sexual act and the subjects of the photo as the artist and his wife. In other words, the role of knowledge of context in understanding art is connected with the claim that manner-specificity is essential to the purpose of art. In the case of Red Butt, the appeal to extra-visual and contextual information enables fuller understanding of the artwork. However, in fact, the wider audience (rather than the art critics) perceives the trash aesthetics of Red Butt while being ignorant of Koons's biography and this aesthetic irony might precisely be one of the purposes of the work. Even if it is true that the audience's recognition of the artist's intentional self-parody requires knowledge of who is depicted in the photos, we don't know if Koons intends his work to be understood (solely) in reference to or through this knowledge. It is plausible that Koons intended to blur the distinction between art and pornography by attempting to create art that is pornography. If we accept that pornography can never be art then if Koons intends to create art that is also pornography then he attempts the impossible; if we, on the other hand, allow for the possibility for an artwork to be both art and pornography and if we accept that Koons has succeeded in creating art that is pornography, then we can interpret Red Butt in the most natural way and say he has succeeded in creating both art and pornography. It seems therefore that regardless of the context, it is left to the audience to negotiate and finally decide, if they wish to, whether to appreciate Koons as pornography or as art (or both) despite the lines between these being unclear. This very ambiguity is part of the purpose of the work, which is lost on Uidhir's account.His exclusive model cannot account for artists whose explicit intention is to defy dichotomies by doing art and pornography at the same time. For example Annie Sprinkle, in reply to the question of whether she is doing art or pornography, insists against critics and defenders alike that she is "both an artist and a whore."2 Uidhir's position must be that, in effect, contrary to what she intends and believes, Sprinkle by definition cannot do both... (shrink)

After a generous introduction to the subject, essays follow on transcendence and spirituality from a multidisciplinary and multifaith perspective: a focus on Abrahamic, Oriental, and African religions, a study of transcendence in Nazism, etc.

This article critically engages the postsecular turn in feminism by focusing on recent contributions by Judith Butler, Rosi Braidotti, and Saba Mahmood, whose stance can be seen as symptomatic of the postsecular moment. The article demonstrates that their conjoint theoretical moves have unintended yet important implications, which are left unexamined. Whilst recognizing the importance of the effort of postsecular feminism to think of agency beyond the limitations of Eurocentric theorizing, the article argues that it remains unclear whether the particular conceptualization (...) of agency, as detached from autonomy, can have counter-hegemonic effects. The article is concerned with the politics that the postsecular turn in feminism authorizes, and for this purpose it questions to what extent postsecular feminist theorizing risks the neutralization of critical social theory itself, because abandoning autonomy as the foundation of political subjectivity does not allow for the interrogation of arbitrary authorities and the social inequalities that they sustain. (shrink)

Scholars in diverse academic disciplines discuss the ways in which evidence is conceived, used, and manipulated in their own fields. They explore the possibilities for cross-disciplinary fertilisation and ask if it is possible or desirable to develop general multidisciplinary criteria and methods for studying and handling evidence.

Les Prolegomenes a la Philosophie de Platon sont un manuel d'ecole neoplatonicien. Il s'inspire d'un modele dont Proclus a du etre l'auteur, mais l'origine de ce texte est presque surement alexandrine et doit dater de la premiere moitie du Vle siecle. Cette oeuvre est essentielle pour comprendre comment etait diffuse l'enseignement platonicien, et pour mieux saisir le mouvement des idees de l'Antiquite finissante. Dans une importante introduction, L. O. Westerink a retrace l'histoire de l'ecole d'Alexandrie et celle du genre litteraire (...) de ces introductions a Platon et a Aristote. (shrink)

Purpose. To examine the existential anthropology of G. Marcel and E. Minkowski, in order to demonstrate the necessity of distinguishing the universal-spiritual, as human in human being, apart from the individual-existential in him, and to reveal the hierarchical correlation of biosocial, existential and spiritual spheres in personality. Theoretical basis. Within existential philosophy the author differentiates two separate traditions and proceeds from the insufficiency of the distinction of existential sphere, proposed by phenomenological tradition, showing the necessity of its correlation with the (...) spiritual sphere as a sphere of humanity, proposed by non-phenomenological tradition of G. Marcel and E. Minkowski. Originality. The author presents the anthropological conception of G. Marcel and E. Minkowski, in which human personality is understood as unity of individual-existential and universal-spiritual, which requires a special trans-empirical field of culture, which contains senses, images and symbols of humanity. Also, the author presents the recent developments of existential thinkers in distinguishing existential and spiritual dimensions, both not reducible to the physical and social dimensions. Conclusions. In both existential traditions, the specifically human was founded as a trans-biological and trans-social phenomenon, which appears as indefinable and non-predetermined. But in first tradition, humanity is understood as an existence, as a unique individuality, "project", variant of humanity, equivalent to other variants, and universal is understood as a community of human condition in the world. While in the second tradition, the universal is understood as spiritual. Thus, horizontal level of our private existence, as the process of movement from birth to death, is supplemented by vertical of human, universal ideals and images. Humanity appears as a task, on the way to which human being transcends beyond the limits of his individual "self" to the "super-individual", through inclusion into spiritual community, into universal culture. (shrink)

Modern scholars have been concerned with the hostility shown to Alexander by the Hellenistic schools of philosophy. Two literary portraits have been distinguished, the Peripatetic and the Stoic, the former deriving from Theophrastus' book on Callisthenes, or starting with this work the Peripatetics worked out a theory of and applied it to Alexander, in order to belittle his achievements. It was a case of giving sophisticated expression to the kind of crude resentment expressed by Demades.

The locus classicus for Plutarch's own views on his methods is in the Alexander He has begun by asking for the indulgence of his readers if they do not find all the exploits of Alexander and Caesar recounted by the biographer or if they discover him not reporting some famous incident in detail (); and he goes on to compare his own search for evidence which will indicate the kind of soul, with the activity of the painter, who, in order (...) to create a likeness, concentrates on the eyes and pays little attention to the other parts. Commentators and critics have been right to take this as a key text for the purpose of understanding Plutarch's attitude towards his biographical work; nevertheless there are other passages in the Lives where we can at least glimpse his attitude to his subject, and we can only see the Alexander-remarks in correct perspective if we take these other passages into account. I propose therefore, starting with the Alexander, to see how far these critical remarks apply to Plutarch's theory and practice elsewhere in the Lives. (shrink)

According to the Ars Amatoria the notorious rape took place on the occasion of a primitive dramatic entertainment staged in a theatre, in which the seats and furnishings were also primitive. There is no time for a description of the arts of the performers—a tibicen and a ludius—before the Romans, impatient for action, receive their signal from Romulus. Nor is there any mention of a god in whose honour the entertainment had been provided.

Catalog of the collection of the Madamkhand Museum of Art, named after the wife of Batzhargalyn Batbai︠a︡r, businessman and member of the Mongolian Khural.

This paper explores the relationship between eugenics, disability, and dehumanization, with a focus on forms of eugenics beyond Nazi eugenics.

The impressive variation amongst biological individuals generates many complexities in addressing the simple-sounding question what is a biological individual? A distinction between evolutionary and physiological individuals is useful in thinking about biological individuals, as is attention to the kinds of groups, such as superorganisms and species, that have sometimes been thought of as biological individuals. More fully understanding the conceptual space that biological individuals occupy also involves considering a range of other concepts, such as life, reproduction, and agency. There has (...) been a focus in some recent discussions by both philosophers and biologists on how evolutionary individuals are created and regulated, as well as continuing work on the evolution of individuality. (shrink)

De Interpretatione is among Aristotle's most influential and widely read writings; C. W. A. Whitaker presents the first systematic study of this work, and offers a radical new view of its aims, its structure, and its place in Aristotle's system. He shows that De Interpretatione is not a disjointed essay on ill-connected subjects, as traditionally thought, but a highly organized and systematic treatise on logic, argument, and dialectic.